The unemployed Duval is contacted by a mysterious organization to transcribe intercepted calls. He accepts the job with no suspicions, since it restores stability to his life, but it will soon result in political shenanigans of all kinds.
This delicate film—created for Alice Rohrwacher’s production of Verdi's La traviata—conjures the protagonist’s interiority and spontaneity through sun-kissed 16mm images of a young girl's hands (Rohrwacher's own daughter, Anita).
There is no good day to announce a split – especially not one that was planned as an anniversary celebration. But Lucia doesn’t want to give up on her husband Giovanni. In her spontaneous struggle for her husband’s heart, she involves not …
